Walking the Gap of Dunloe

Steph on the road through the Gap of Dunloe

Steph and I traveled to Ireland in September; we spent a week driving and walking around Killarney, the Dingle Peninsula and Lahinch. In the photo above, we’re about a mile into a 7 mile walk through the Gap of Dunloe. I was hesitant at first about walking the Gap, but it turned out to be a much-needed opportunity to relax, get some exercise, and really enjoy the landscape and each other’s company.

When describing the trip, I often find myself diminishing the length of time spent on the trip as “only a week”, but what’s that about? I live a life where I can fly thousands of miles to another country, spend a week doing nothing except what I want, eat well, and sleep comfortably each day. When I return, I find my home intact, family safe, and job waiting. Through the whole trip, I have a beautiful woman to share each day.

This photo reminds me that there’s so much to be thankful for in my life.  There’s Steph, patiently waiting for me to catch-up and continue down a long road with her. There’s a lot of traveling behind us, but opportunity is still out in front. For that and so much more, I’m incredibly thankful.

Happy Thanksgiving, everyone.

Man and dog headed back to the boat on the river

A man and his dog head back to their boat on a chilly February morning.

I miss the winter. Yea, summer’s nice and all. Nice to not wear a wetsuit, nice to be able to surf after work, nice to wear flip flops (though I usually do that year-round round here anyways).

Still, I miss the changing weather – the chill that makes you crave Guinness instead of a gin and tonic, mornings roaming downtown and walking across deserted bridges, the cold, still silence free from the cacophony of buzzing morning bugs.

The above photo sums it up nicely, taken on a chilly morning downtown by the river.

Approaching mist on the beach

Mist approaches in the late aftenoon.

It’s late, I’m sunburned, and the weekend is more than one day into history, which means today was Monday, and Monday brought with it the usual joys that can only be experienced by the gainfully employed.

Desert rose (Adenium obesum) with raindrops

A desert rose leaf and flower covered in rain drops, taken on an overcast morning.

Summer’s almost here, so even the plants damaged by the cold winter (and, ahem, lack of proper care) are back.

While there hasn’t been enough rain in Saint Augustine, we have had a couple of solid, overcast early mornings where the colors of the flowers could stand out against the dim gray light that blankets the rest of the scene. It’s my favorite weather and time to shoot plants.

Winnie-the-Pooh

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Winnie the Pooh looks for honey on a dish towel

Last Thursday morning , there were fourteen cameras in our house.

Twelve have an internal computer of some kind. Six record video, with two of those recording in HD. Four cameras are SLRs; two of those are film. Two are phones. One is a featherlight little toy gimmick; another is almost pro-quality and weighs over 7 pounds with a decent telephoto lens attached. One of them can take pictures in two directions without turning the camera; three can play music. No more than two are from the same manufacturer, though they’re all made in East Asia.

On that Thursday night, there were fifteen cameras in the house.

Among all of it’s other much-touted features, the new camera came with Winnie-the-Pooh. You see, if you download iBooks for iPhone, you get a free copy of the A.A. Milne classic. I’m a big fan of Milne’s small, quiet illustrations; flipping through the book on a phone was an unexpected treat. I’ve been using a Kindle for a while now, but I can already see an iPad in the future (I think it comes with a camera, too). It’s hard to beat the pull of color illustrations.

Anyway, the above was taken with one of those fifteen cameras. Pooh in camera; Pooh on camera, pooh from camera. I kinda like the flow of it all.

Wing with lasers

Image of airplane wing in clouds with approach light

Cloud cover + approach lights = wings that look like they have fricken lasers on them.

A small Southeast Asian woman behind the counter points at fruit-filled muffins. She’s attempting, in somewhat understandable English, to explain to a very tall English woman that there are no “plain” muffins available. It takes a little back and forth for the “A-ha!” moment to occur to them: the English woman wants an English muffin, though of course no one from England would call them that.

The English woman chuckles at the misunderstanding, then says “It’s the language.”

Perhaps thinking she’s offended the woman behind the counter, she elaborates on her comment: “The language here in America. I keep forgetting…”

For a second she looks embarrassed and her sentence trails off.

It’s 5:30 AM and we’re waiting for our morning grease at the Piedmont Triad International Airport in Greensboro, North Carolina, USA. You have to find your humor where you can.

Little Blue Heron

The great thing about bird names is that they’re often perfectly descriptive. No mystery here; the bird pictured above is a Little Blue Heron (Egretta caerulea), so named because it’s little, blue, and a heron. Simple.

The heron above was stalking shrimp and fish in the brackish water at Oyster Creek, just a short walk from my house. I’m not sure why it’s called a creek; it’s really just overflow and drainage from the marsh. Anyway, I can come here and see assorted herons, egrets, ducks, and other aquatic birds without hopping in the car. It’s a nice place to spend a foggy morning.

No big message or story with this one; I just like the little guy. The first six are from a sequence of the heron grabbing a morning bite.  I added #7 to give a little scenery.

Afternoon light in the front yard

Last Sunday after a surf check, I passed some herons in Oyster Creek and noticed the sun beginning to sink lower in the west. There’s something intrinsically appealing about golden afternoon light on organic materials… it just works, you know? I bolted home for the camera and high-tailed it back; you’ve got to take advantage of these opportunities when they come. Though the light was good, great blue herons just don’t have the same snap in yellow light as egrets. I couldn’t get close enough for something worthwhile and packed up after a few minutes of shooting.

Returning home, I found a pretty good little scene right outside the front door. The sun cut low through oak branches across the street and a shaft of light crept its way up to the tips of the stalks. I managed to snap a few before the whole bush dropped into shadow. The wood behind is really a flat gray color from weathering, but the sun painted warm yellow back onto the planks. A trellis provided an interesting play of curved metal lines and shadows. Overall, the scene was fun to shoot and brought me back in touch with the light I felt I had missed at the creek.

On a side note, Steph and I are participating again this year in the Relay for Life for the American Cancer Society and we’re raising donations for the team. I find it hard to ask for donations, so I’m going another route. If you buy a print, I’ll donate 100% of the profit to the American Cancer Society. You’ll be giving to a great cause and get a great print. You can buy a print by clicking on any photo from 2010 or 2011. If you’re not interested in a print, consider giving a donation to our team.

Silo in the evening

Industrial scene; click to download or buy a print.

Not sure what the silo is for, but I like the mist.

The addition of RAW export to leetle teeny tiny cameras has been a blessing. The watercolor effect of excessive noise reduction combined with jpeg artifacts really bugs me no matter what the camera size;  so does carrying around 5 pounds worth of gear just in case I come across something to shoot. The latest range of “enthusiast” compacts does a great job of addressing those problems, and I highly recommend getting one. Doesn’t really matter which one; they all do a pretty good job.

Yes, the iPhone has a camera, and I’ve seen the iPhone fashion shoot. Pretty cool. But I’m not sold yet on the thing in anything but bright light (in their case, bright studio light). The above image was takenin the late evening yesterday at -1 EV (oops) and ISO800, yet still holds up OK considering the very limited amount of noise reduction I’ve applied, the tiny sensor, and the underexposure that had to be compensated for in processing. It’s grainy, but I’m OK with grainy. It’s splotchy that I can’t stand.

On another topic, it was a strange drive home tonight. Turning left onto US1, I was hit with a strong feeling of déjà vu combined with intermittent forgetfulness.

You ever here that song “Same As It Ever Was” by the Talking Heads? Yeah, this one (don’t judge it by the video, fer chrissakes, it was the 80′s).  I  couldn’t think of the work projects, the spreadsheets, the commutes, the car, the last four years that defined my time: I couldn’t remember how I got to that exact moment. There was the overpowering sensation that something was missing, that I was forgetting something important, and that the world would be very different in a hurry.

Random bits of e-mails and faces of co-workers cycled through my mind within the framework of a report or project that I could just barely glimpse but not see in total.  The images seemed half daydream and half memory, and I’m still not sure  which parts of them were real.

I tried to relax, to let the real memories surface, but it was like casting a net with gaps too wide to catch small fish. The memories darted around, flashing silver here and there.I would chase down a memory, backtracking its path to determine if it was real.  In doing so, I would forget what I was trying to track. Thirty minutes of this crap through my entire commute. Glimpse. Chase. Forget.

It’s been a few hours; the confusion and apprehension have subsided. I’m firmly planted behind my desk at home. I may not be sure of what I was trying to remember, but my girlfriend’s asleep in the bedroom along with our dogs. That’s concrete enough to last through the night.

I mention all of this only because it’s tied to the photo.  I passed the silo on the way home, and it was bathed in the beautiful red orange glow of sunset light. I didn’t stop to take a picture, but if I had, would that strange, perplexing feeling have accompanied me home, or would I have instead been thinking of the images, processing, and refinement? Can’t be sure, but I prefer “Preoccupied with Cameras for $1000”, Alex.

Usina Bridge in fog

Falling into the Photoshop trap is easy. Curves and layers and masks and sliders galore await with just two quick clicks of the mouse. For all practical purposes there’s an infinite number of ways you can process. Going in with a good sense of what you want to say is your best defense against endless fiddling.

What to say, other than I see fog as a one of my  favorite shooting conditions. A few years ago we had several mornings in a row of fog coincide with enough surf to warrant a day off; my favorite photo of the pier in fog is from that week. In an area like  San Fran it might get old fast, but here fog is more of a treat. It’s been a while, so I welcomed the wunderground forecast.

The latest batch of shooting has been hit or miss because of work, with me missing yesterday’s beautifully dense blanket. The air cleared considerably by dawn this morning, but there was enough moisture left for some photos before the wind carried it all away.

Finding solitude on cold, foggy mornings is easy, what with the weather encouraging people to stay in bed just a little longer. Like snow, everything feels quieter, and for the most part you’re left alone (unless some other random photographer decides to walk over to where you’re shooting, but that’s just useless complaining). A few cars here and there, but mostly just quiet.

Back to Photoshop. I managed to avoid hashing the images to death, but couldn’t settle on one version. I’ve always enjoyed the delicate feeling fog gives monochromes images. At the same time, what’s concrete without contrast? While the one with more contrast lacks delicacy, I think it still imparts the sense of isolation I wanted and maybe  feels a little colder than the other.

NOAA forecasts more rain and a drop in temperature  for tonight and tomorrow, though no fog. Maybe I’ll get luck anyway and find a scene or two to shoot.